International Conference on Narrative: April 21 - 4
The International Conference on Narrative will be held at Â鶹AV in Montreal, Quebec, Canada from April 18 – 22, 2018.
Professor Lindsay Holmgren invites the Desautels Community to attend the Panels and Talks hosted at the Desautels Faculty of Management.
Please note that the plenary engagements are closed to the public due to limited seating in Moyse Hall.
1. Rhetorical Approaches to Character Narration
Location: 422
Moderator: James Phelan, The Ohio State University
Presentations:
- Character Narration and Ideology in the Postcolonial Bildungsroman
Siddharth Srikanth, The Ohio State University - Narrating Intertexts in Jesmyn Ward’s Salvage the Bones
Kelly Marsh, Mississippi State University - A Rhetorical Approach to Narrative Audiences, Narratees, Effect, and Affect in Character Narration
Sarah Copland, MacEwan University - Refracted Realism, Character Narration, and Teju Cole’s Open City
Nicolas Potkalitsky, The Ohio State University
2. Genre Gone Wrong
Location: 423
Moderator: Julie Rivkin, Connecticut College
Presentations:
- Genre Passing in Charles Chesnutt’s House Behind the Cedars
Julie Rivkin, Connecticut College - Sentimental Jeremiad: Callahan’s Wynema, A Child of the Forest
Margaret Homans, Yale University - “As a Woman I Have No Country”: Global Proto-Feminism and the Persian Travelogue
Marie Ostby, Connecticut College
3. Contemporary Expressions of the Environmental Imagination
Location: 410
Moderator: Erin James, University of Idaho
Presentations:
- “Slow Stories”: Affective Experience in Plant Narratives
Shannon Lambert, Ghent University - Weird Environments in Post-Apocalyptic Narratives
Judith Eckenhoff, RWTH Aachen University - Chthonic Climate Fiction: Monsters From Beneath
Gry Ulstein, Ghent University
4. Counterfactuality
Location: 340
Moderator: Jan Alber, RWTH Aachen
Presentations:
- La La Land: Counterfactuality, Disnarration, and the Forked (Motorway) Path
Marina Lambrou, Kingston University - Counterfactual Narratives as a Tool for Macro-Level Meaning Making
Tabitha Holmes, SUNY New York - Counterfactuals and Draft Logic in Marcel Proust’s Un Amour de Swan
Victoria Baena, Yale University
5. Videographic Criticism
Location: 360
Moderator: Gregory Brophy, Bishops University
Presentations:
- The Nigerian “Comicast” as New Media Narrative: Images of Violence
Chukwamah Ignatius, Federal University, Nigeria - Screen Unreliabilities Beyond Definitions and Toward Effects
Elizabeth Nixon, The Ohio State University - Narrating From the Couch or in Handcuffs: Naturalized Narration in Television Series
Christian Stenico, University of Innsbruck - Enabling Impediments? Camera Perspective and Prosthetic Masculinity in Schnabel’s The Diving Bell and the Butterfly
Gregory Brophy, Bishops University
6. Identifying the Self in/and the Other: An Epistemology of Empathy
Location: 178
Moderator: Elizabeth Corsun, Transylvania University
Presentations:
- “Tougher than you imagine”: Perspective in Anne Bronte’s Agnes Grey
Kristianne Kalata, Westminster College - “She has made a fiction of herself!”: Narrative Identity in Sarah Waters’ Fingersmith
Courtney Hopf, NYU London - “As If You Are Me”: The Radical Embodied Empathy of Netflix’s The OA
Elizabeth Corsun, Transylvania University
7. Time
Location: 210
Moderator: Martin Kreiswirth, Â鶹AV
Presentations:
- Temporal Structure in A Visit From the Goon Squad
Sean Yeager, Pacific Northwest College of Arts - Timely Coincidences: The Representation of Time and Chance in Paul Auster’s Moon Palace
Yu-Hua Yen, University of York
8. The Rifle on the Wall
Location: 310
Moderator: Greta Matzner Gore, University of Southern California
Presentations:
- Haruki Murakami: When the Loaded Gun Does Not Fire in 1Q84
Elaine Lux-Koman, Nyack College - “Ambrosia has been found, but we don’t eat it”: The Forbidden Event in Viktor Schlovsky’s Zoo, or Letters Not About Love
Nora Scholz, LMU Munich - Narrating Something By Chatting Along
Anja Burghardt, Ludwig Maxmilian University of Munich
9. Fictionality/Memoir/Autobiography
Location: 245
Moderator: Aili Peeker, University of California, Santa Barbara
Presentations:
- Presumed/ Delay Factuality: Fictionality in Auto-Fiction and Rhetorical Poetics
Shang Biwu, Shanghai Jiao Tong University - Narratives of Self and Modes of Fictionality in Contemporary Auto/Biographical Literature
Fiona Doloughan, The Open University - Our Bodies, Our Incoherent Selves: Shifting Concepts of Identity and Narrative in Contemporary Literature and Digital Games
Julialicia Case, University of Cincinnati
10. New Tech Effects
Location: 179
Moderator: Ellen McCracken, University of Southern California, Santa Barbara
Presentations:
- The Rhetoric of Screen Reading
Ellen McCracken, University of Southern California, Santa Barbara - Towards a Narratology of Dynamic Digital Storytelling: The Impact of Locative Mobile Media
Lai-Tze Fan, Lingnan University - The “New” New Journalism: Long-Form Narrative Journalism in a Media Landscape Increasingly Driven by Shareable and Clickable Content
Brett Popplewell, Carleton University