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Performance Exams Options (Piano M.Mus.)

Required:

MUPG 600 Recital Project 1 9 Credits
    Offered in the:
  • Fall
  • Winter
  • Summer


Optional (9 credits from the following):

MUPG 601 Recital Project 2 9 Credits
    Offered in the:
  • Fall
  • Winter
  • Summer

MUPG 602 Recital Project 3 6 Credits
    Offered in the:
  • Fall
  • Winter
  • Summer

MUPG 603 Recital Project 4 3 Credits
    Offered in the:
  • Fall
  • Winter
  • Summer

MUPG 604 Chamber Music Recital 6 Credits
    Offered in the:
  • Fall
  • Winter
  • Summer

MUPG 605 Course not available

MUPG 606 Interdisciplinary Project 1 3 Credits
    Offered in the:
  • Fall
  • Winter
  • Summer

MUPG 607 Interdisciplinary Project 2 6 Credits
    Offered in the:
  • Fall
  • Winter
  • Summer


Performance Exams

Deadlines

Beginning of year: Book the hall for your recital with the Production Office, Room C208.

Submit your Graduate Exam Application Form by (this is a different form than the one given by the Production Office):

  • October 1st for exams between November and January;
  • December 1st for exams between February and March;
  • February 15th for exams between April and October:

Submit program notes up to 3 weeks before your recital, if applicable.

Guidelines

Planning the Performance Exam

  • Discuss with your teacher how to use and schedule options to complete 18 credits of thesis exams required or your program, including planning for the 2nd year.
  • Concertos are not permitted on programs for MUPG 601 and 602.

Selecting & Booking a Hall

  • Attend concerts in the halls. Visit our Facilities pages early in your program to find concert hall seating plans, technical requirements, and booking instructions.
  • Consider repertoire, instrumentation, type of audience, and any other additional requirements (i.e. overhead projection).
  • Consult with your teacher about their availability (typically May for Master's recitals) and book your hall at the beginning of the year if possible. To book your recital, please see the Production Office in Room C-208.

Examiners for Performance Exams

Please see the Examiner's List under the Graduate Exam Application Form section.

Quick Study

  • Quick Studies are arranged and held on a pre-determined date around mid-November or the end of March/April each year, and announced in the Spring of each semester.
  • Fill out the Graduate Exam Application Form and notify the Voice Area Coordinator of your intent to do the quick study.
  • Repertoire will be assigned three weeks before the scheduled performance date.

Working Collaboratively

  • Agreements with accompanists should be confirmed in writing and include dates and times of rehearsals, repertoire, fees, and how the fees will be paid.
  • Cultivate a professional working relationship with your accompanist:
    • Provide repertoire well ahead of rehearsals and concert times.  
    • Create an efficient rehearsal schedule, with defined goals, in advance.
    • Cancel or change rehearsal times only in exceptional circumstances.
    • Be prepared for each rehearsal.  Listen to recordings of great performances and discuss with your teacher what makes that particular collaborative relationship so artistic or powerful.

Recording your Recital

Recitals can be recorded using the one-touch recording system. Otherwise there will be a service charge according to the maximum of musicians on stage at any given time. Please contact the Production Office (production.music [at] mcgill.ca) for prices. All recording requests must be made on the appropriate form available from the Production Office (C-208) and returned no later than 2 weeks before the event.

Grading Policy

The final mark for all performance exams will be an average of the three grades submitted by the three examiners.

Read the PDF icon Performance Examination Policy (PDF) for more information.

Keys to Success"For me, I've found it helpful to always anchor a concert around a specific idea - whether it be a historical figure or event, an instrument, a historical narrative of some kind or some kind of creative genre, even a particular piece or place. From there, the connections to be made can be endless!  …I look for an idea I can be temporarily in love with."
-Gili Loftus, DMus.

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